I've written before about the negative reaction Anna Torv's performance as Olivia Dunham received in Fringe's first season. A lot of people complained that the show was great except for her flat, boring existence. I disagreed. I thought Torv was playing flat because of the tragedies her character suffered at that time, not least the death of her fiance, who, it turned out, might or might not have been a traitor. I thought it was a nice, quiet, understated performance.
In the second season, we learned that Dunham had been the subject of Walter's experiments. Others who had been experimented upon had similarly isolated lives with similarly dark wardrobes. So, Torv's quiet, flat Dunham made even more sense to me.
But this season has given Torv the opportunity to play not one, not two, but three characters, all various versions of the one. Besides Olivia, there's Fauxlivia, a woman rather like Olivia, but one with a lighter heart (at least, until she feel in love with Peter Bishop), a fuller life, an easier smile. It turns out that Fauxlivia is less certain of herself than ours, and less able to think creatively. But she has more friends, and seems to have easier relationships with others. Until her trip to our universe, her life was pretty sweet - she even had a fiance.
Then, in Stowaway, the most recent episode of Fringe, Olivia was mostly absent from the episode, all because she drank some tea when she visited William Bell in the other universe. Apparently, Bell had served the tea with his soul magnets, and when a particular bell was rung, Bell's soul was drawn into Olivia like, well, a magnet to steel. Or whatever magnets are attracted to. Olivia was pushed to the side, and Bell had taken over.
I'm not really clear on why Bell did this. Perhaps he genuinely believes that his presence is important to help the floundering Walter Bishop find his self-confidence. Perhaps he believes only he has the knowledge necessary to prevent the two universes from destroying each other. Perhaps he's like so many of us, unwilling to die.
He acknowledges that he cannot stay in Olivia's body for long, and after at first hedging how long he can stay, agrees to vacate after finding a suitable substitute. While the computer program attempts to find an adequate host, he agrees to help solve the mystery of the week.
In the meantime, we are treated to quite a performance. It is, I am sure, no surprise that I am a lifelong fan of Star Trek. I have spent the years studying the various characters and actors, of which, Mr. Spock and Leonard Nimoy are favorites. I've watched Nimoy's career through the years, and thoroughly enjoyed his turn as William Bell on Fringe. I wasn't surprised when Bell died last year, given Nimoy's announced retirement from acting (Nimoy's retirement may be as short lived as the Who's - he may be returning to Fringe later this season). Normally, I'd think such a "return" as this a cheap gimmick, but Torv's performance was so spot on, that I actually forgot who she was.
What did I see in Torv's performance? Well, first, she walked differently, slower, less gracefully. Much like an old man would walk. Her hair was blander, and her make up even less prominent than normal. She had a sly grin as she talked (Olivia never grins), and looked at everyone differently, less upfront, more from the side.
As many of us know, Nimoy had an excellent ability to use a raised eyebrow as communication, and Torv adopted it as well as she could. Some people can raise an eyebrow, and some people can't. However, Bell possessing Olivia's body would only have been able to do what Olivia could do, so even that felt right.
The only thing that didn't feel right was the tremor in her voice. As Nimoy has aged, his voice has developed a tremor, and it was a definite part of William Bell. Torv has adopted the tremor, under the presumption that if Bell had it, he would have it in Olivia as well. However, just as Bell wouldn't be able to raise an eyebrow if Olivia couldn't, he would have the voice that she had, which was remarkable in its lack of tremor. However, you could argue that Bell was so used to speaking with a tremor that he forces it in his conversations in Olivia's body. An unconvincing argument, but an argument all the same.
It was fun watching Bell interact with those who know Olivia so well. Walter, as expected, was delighted, and the two scientists quickly reverted to their old relationship as old friends who had worked together for years. They smoked pot together, joked about inserting Bell's consciousness in the cow, and solved a math problem.
Peter was justifiably horrified to find Bell in Olivia, especially considering how Bell slipped the soul-magnet mickey in her tea. Only Peter seemed outraged by Bell's casual dismissal of any moral issues in taking over Olivia's body. However, since no one else seemed all that upset, Peter accepted the situation, if only because he had to.
I'm fairly sure that Astrid is not a fan, after being sexually objectified and harassed by the scientist. I personally understood when she buttoned the top button her blouse. It turns out that William Bell was a pig.
I found Stowaway to be a thoroughly enjoyable episode of Fringe, and am sorry I don't have more time to discuss other aspects of the story, including the mystery of the week centering around the woman who can't die and Lincoln Lee on our side of the universe.
Deadwood fan alert - Paula Malcomson, Trixie on Deadwood, played a woman who learned that being struck by lightning twice prevented her from dying.
Sunday, March 20, 2011
Monday, February 28, 2011
The Darcy Effect
Colin Firth won an Oscar last night for his performance in The King's Speech. Yes, I know, that's a movie, and this is a blog on television. But I've been a big fan of Firth since 1995, when he starred as Fitzwilliam Darcy in the BBC/A&E Production of Pride and Prejudice. As Darcy, Firth made quite an impression.
The story of Pride and Prejudice, of course, is that Darcy is prejudiced against the country folk, and insults them, including Elizabeth Bennett. But she rejects him out of pride later after he has changed his mind. Seemingly too late she discovers that he is a good man, worthy of her. But, of course, it really wasn't too late, and the two end up marrying, and living happily ever after.
The BBC version was aired on A&E, back when it did more than exploit drug addicts, obese people, and hoarders. It was an exquisitely produced version, and I fell in love. With Firth, obviously. With those wild curls, the disdainful manner followed by a decent heart, how could I not? On top of all that, he was English, too. That never hurts. He was so charming in the role, and did an excellent job of showing the changes that Darcy made from boorish snob to a man in love. The producers also took great effort to showcase the physicality of the man as well, even having him take a swim in his clothes at one point.
To be fair, I must admit that I also fell a little in love with Jennifer Ehle, who is one of the most beautiful women I've ever seen. She was perfectly cast as Elizabeth Bennett, and demonstrated much wit and intelligence in the role. And yes, I've followed her career since, but she hasn't won an Oscar. (Ironically enough, she did have a role in The King's Speech as Geoffrey Rush's wife).
I'm not the only one who fell for Firth. Many a woman I've discussed this with has admitted to an attraction to his portrayal. Helen Fielding was so taken with the miniseries that she wrote Bridget Jones' Diary. In it, Bridget is fascinated with the miniseries, obsessing over the actors, and feeling disappointed upon learning that Firth and Ehle had an affair during the filming of the series. Further, she met a disdainful man named Mark Darcy. In case you couldn't tell, Bridget Jones' Diary was loosely based on Pride and Prejudice. How wonderful when Colin Firth was cast as Mark Darcy in the movies!
After Pride and Prejudice, I kept an eye out for Firth. He remained a little under the radar for a few years, playing the cuckolded husband on The English Patient and the jilted fiance in Shakespeare in Love. Maybe it was Bridget Jones that pushed him into the leading man roles in movies? I don't know. I do know he has a vital part in Love Actually (a film I've sadly yet to see), and of course, was nominated for A Single Man last year. I think Firth's going to do alright by himself.
Firth's role as Darcy was so definitive that I refused to see the Keira Knightly movie version. My father thought I was crazy. However, had I know that Matthew Macfadyen...
The story of Pride and Prejudice, of course, is that Darcy is prejudiced against the country folk, and insults them, including Elizabeth Bennett. But she rejects him out of pride later after he has changed his mind. Seemingly too late she discovers that he is a good man, worthy of her. But, of course, it really wasn't too late, and the two end up marrying, and living happily ever after.
The BBC version was aired on A&E, back when it did more than exploit drug addicts, obese people, and hoarders. It was an exquisitely produced version, and I fell in love. With Firth, obviously. With those wild curls, the disdainful manner followed by a decent heart, how could I not? On top of all that, he was English, too. That never hurts. He was so charming in the role, and did an excellent job of showing the changes that Darcy made from boorish snob to a man in love. The producers also took great effort to showcase the physicality of the man as well, even having him take a swim in his clothes at one point.
To be fair, I must admit that I also fell a little in love with Jennifer Ehle, who is one of the most beautiful women I've ever seen. She was perfectly cast as Elizabeth Bennett, and demonstrated much wit and intelligence in the role. And yes, I've followed her career since, but she hasn't won an Oscar. (Ironically enough, she did have a role in The King's Speech as Geoffrey Rush's wife).
I'm not the only one who fell for Firth. Many a woman I've discussed this with has admitted to an attraction to his portrayal. Helen Fielding was so taken with the miniseries that she wrote Bridget Jones' Diary. In it, Bridget is fascinated with the miniseries, obsessing over the actors, and feeling disappointed upon learning that Firth and Ehle had an affair during the filming of the series. Further, she met a disdainful man named Mark Darcy. In case you couldn't tell, Bridget Jones' Diary was loosely based on Pride and Prejudice. How wonderful when Colin Firth was cast as Mark Darcy in the movies!
After Pride and Prejudice, I kept an eye out for Firth. He remained a little under the radar for a few years, playing the cuckolded husband on The English Patient and the jilted fiance in Shakespeare in Love. Maybe it was Bridget Jones that pushed him into the leading man roles in movies? I don't know. I do know he has a vital part in Love Actually (a film I've sadly yet to see), and of course, was nominated for A Single Man last year. I think Firth's going to do alright by himself.
Firth's role as Darcy was so definitive that I refused to see the Keira Knightly movie version. My father thought I was crazy. However, had I know that Matthew Macfadyen...
Friday, February 25, 2011
Cowboys in Space
Why didn't I watch Firefly when it aired? I loved Buffy the Vampire Slayer and Angel, and I was confident that anything Joss Whedon did would be interesting and entertaining. And I'm a huge fan of serial television in general. What happened?
Well, life happened. I had no DVR at that time, and I was working a second job on Friday nights from 7 PM to 7 AM. But I think what really interfered was that I was involved in a new love affair at the time. We all know how that ended.
I wasn't the only television fan who wasn't watching. Low ratings led to the show being canceled. Why did Fox air the show on Friday nights? Why did they insist a new pilot be created? Why did they air the episodes out of order? It seemed at the time that Fox was doing everything it could to cancel the very show they were airing.
I finally got a chance to watch all the episodes of Firefly this past January, as Ovation aired them, in order, starting with the real pilot, and even airing the three episodes Fox never did. If I ever had a column called "Gone Too Soon," this show would top the list.
I called this series "Cowboys in Space," and the show certainly felt like it took place in the wild west, only with spaceships. The crew used guns, and frontier law ruled the worlds the ship, Serenity, visited. The worlds were dusty, filled with sometimes desperate people trying to survive. Even the language that the crew used made me think of Westerns.
As I watched, I couldn't help thinking of the original Star Trek, which, as you may recall, was touted at the time as a Wagon Train in space. The show had some similarities: a charismatic captain, a spaceship, and a doctor. But really, to me, they didn't have a whole lot in common. Captain Kirk was a member of the Federation, a governmental entity that commissioned the Enterprise to space exploration. Mal Reynolds, on the other hand, was a refugee from a losing civil war to the Alliance, a centralized federal government. The Enterprise was a slickly clean, efficiently run operation, while Serenity forever seemed in need of a good housekeeper and was kept together by glue. Kirk's crew was intensely loyal, while Reynolds' crew felt free to question every decision and poke fun at him. Worse, he never knew when one of his henchmen, Jayne Cobb, might betray him.
Each show was truly a show of it's time. The Sixties were a time of optimism, and a belief that man can solve any social ill. Think of the War on Poverty and the belief that governmental programs could actually cure poverty. Such was Roddenberry's Federation, which had somehow succeeded in ending poverty (but not the common cold, oddly enough) and created a just world. By the early 2000s, however, we'd become suspicious of government, believing it to be a malicious force in society. The Alliance, indeed, mistrusted by Serenity's crew, fought against by several members, was to be avoided when possible, exploited if necessary. Its motives were always suspect.
But let's face it. What appeals to me most about Firefly is, of course, the characters. Each character was relatively well developed (the series ended far too soon to flesh out some of the characters, sadly) and the relationships that developed among the crew and passengers was realistic. Mal and his second-in-command Zoe. Zoe and her husband, Wash, the pilot, who respected but also resented Mal. Jayne Cobb who sold his services to the highest bidder, and whose relationship to his guns was stronger than any relationship to a person. Kaylee, the naive engineer with no formal training, protected and loved by all. Then the passengers. Inara was a Companion (think high-class prostitute) who rented a shuttle from Serenity. Sparks flew between her and Mal, but his insistence on calling her a whore perhaps interfered with an easy relationship. Book, the Shepherd, who knew far more about criminal enterprises then you'd think a good pastor would know. Lastly, the brother and sister Tam: Simon, the doctor, who rescued from the Alliance, his sister River, the psychic, who'd been in training to be an assassin.
Only fifteen hours of show was produced (a two-hour pilot and thirteen episodes), but Whedon was given the opportunity to produce a movie, where he was able to flesh out some of the storyline more. I saw the movie, Serenity, long before I saw all the episodes. I'll need to see it again.
Sadly, we'll never know what this show could have been. But I'll definitely add it to my list of "Favorites". If you're into science fiction, compelling characters, and great stories, I highly recommend you give this show a shot. Surely Ovation will air it again?
One thing that Firefly did was put several actors on the map. Who had heard of Nathan Fillion before Firefly?
Buffyverse fan alert. Joss Whedon was loyal to his actors. Nathan Fillion appeared on Buffy as the homicidal cleric Caleb (I almost never forgave Fillion for gouging out Xander's eye). Gina Torres was the goddess Jasmine who tried to impose peace on Earth on Angel. Adam Baldwin guested as Marcus Hamilton, a guardian of the Senior Partners, also on Angel. Summer Glau made her professional acting debut as a prima ballerina cursed to dance the same ballet for two centuries on Angel.
Dollhouse fan alert: Alan Tudyk played the criminally insane doll, Alpha. Summer Glau played scientist Bennet Halverson.
Chuck fan alert: Adam Baldwin plays a character similar to Jayne Cobb in Chuck. His John Casey is often the best part of Chuck.
V fan alert: Morena Baccarin, Inara on Firefly, plays Anna.
And of course: Barney Miller fan alert: Ron Glass played Book the Shepherd. But I'll always remember and love him best for playing Detective Ron Harris, author of Blood on the Badge.
Well, life happened. I had no DVR at that time, and I was working a second job on Friday nights from 7 PM to 7 AM. But I think what really interfered was that I was involved in a new love affair at the time. We all know how that ended.
I wasn't the only television fan who wasn't watching. Low ratings led to the show being canceled. Why did Fox air the show on Friday nights? Why did they insist a new pilot be created? Why did they air the episodes out of order? It seemed at the time that Fox was doing everything it could to cancel the very show they were airing.
I finally got a chance to watch all the episodes of Firefly this past January, as Ovation aired them, in order, starting with the real pilot, and even airing the three episodes Fox never did. If I ever had a column called "Gone Too Soon," this show would top the list.
I called this series "Cowboys in Space," and the show certainly felt like it took place in the wild west, only with spaceships. The crew used guns, and frontier law ruled the worlds the ship, Serenity, visited. The worlds were dusty, filled with sometimes desperate people trying to survive. Even the language that the crew used made me think of Westerns.
As I watched, I couldn't help thinking of the original Star Trek, which, as you may recall, was touted at the time as a Wagon Train in space. The show had some similarities: a charismatic captain, a spaceship, and a doctor. But really, to me, they didn't have a whole lot in common. Captain Kirk was a member of the Federation, a governmental entity that commissioned the Enterprise to space exploration. Mal Reynolds, on the other hand, was a refugee from a losing civil war to the Alliance, a centralized federal government. The Enterprise was a slickly clean, efficiently run operation, while Serenity forever seemed in need of a good housekeeper and was kept together by glue. Kirk's crew was intensely loyal, while Reynolds' crew felt free to question every decision and poke fun at him. Worse, he never knew when one of his henchmen, Jayne Cobb, might betray him.
Each show was truly a show of it's time. The Sixties were a time of optimism, and a belief that man can solve any social ill. Think of the War on Poverty and the belief that governmental programs could actually cure poverty. Such was Roddenberry's Federation, which had somehow succeeded in ending poverty (but not the common cold, oddly enough) and created a just world. By the early 2000s, however, we'd become suspicious of government, believing it to be a malicious force in society. The Alliance, indeed, mistrusted by Serenity's crew, fought against by several members, was to be avoided when possible, exploited if necessary. Its motives were always suspect.
But let's face it. What appeals to me most about Firefly is, of course, the characters. Each character was relatively well developed (the series ended far too soon to flesh out some of the characters, sadly) and the relationships that developed among the crew and passengers was realistic. Mal and his second-in-command Zoe. Zoe and her husband, Wash, the pilot, who respected but also resented Mal. Jayne Cobb who sold his services to the highest bidder, and whose relationship to his guns was stronger than any relationship to a person. Kaylee, the naive engineer with no formal training, protected and loved by all. Then the passengers. Inara was a Companion (think high-class prostitute) who rented a shuttle from Serenity. Sparks flew between her and Mal, but his insistence on calling her a whore perhaps interfered with an easy relationship. Book, the Shepherd, who knew far more about criminal enterprises then you'd think a good pastor would know. Lastly, the brother and sister Tam: Simon, the doctor, who rescued from the Alliance, his sister River, the psychic, who'd been in training to be an assassin.
Only fifteen hours of show was produced (a two-hour pilot and thirteen episodes), but Whedon was given the opportunity to produce a movie, where he was able to flesh out some of the storyline more. I saw the movie, Serenity, long before I saw all the episodes. I'll need to see it again.
Sadly, we'll never know what this show could have been. But I'll definitely add it to my list of "Favorites". If you're into science fiction, compelling characters, and great stories, I highly recommend you give this show a shot. Surely Ovation will air it again?
One thing that Firefly did was put several actors on the map. Who had heard of Nathan Fillion before Firefly?
Buffyverse fan alert. Joss Whedon was loyal to his actors. Nathan Fillion appeared on Buffy as the homicidal cleric Caleb (I almost never forgave Fillion for gouging out Xander's eye). Gina Torres was the goddess Jasmine who tried to impose peace on Earth on Angel. Adam Baldwin guested as Marcus Hamilton, a guardian of the Senior Partners, also on Angel. Summer Glau made her professional acting debut as a prima ballerina cursed to dance the same ballet for two centuries on Angel.
Dollhouse fan alert: Alan Tudyk played the criminally insane doll, Alpha. Summer Glau played scientist Bennet Halverson.
Chuck fan alert: Adam Baldwin plays a character similar to Jayne Cobb in Chuck. His John Casey is often the best part of Chuck.
V fan alert: Morena Baccarin, Inara on Firefly, plays Anna.
And of course: Barney Miller fan alert: Ron Glass played Book the Shepherd. But I'll always remember and love him best for playing Detective Ron Harris, author of Blood on the Badge.
Wednesday, December 22, 2010
Steve Landesberg Dead at 74
Many of my readers (all two of you) have probably not heard of Landesberg. I was shocked to learn that so few people knew the man. I would have attributed this to youth, had one of the ignorant not been older than I am.
Steve Landesberg played Arthur Dietrich in one of the best comedies to ever air on TV, Barney Miller. If you've never seen it, you owe it to yourself to watch it. It airs on the U channels in Chicago, but sadly, only the first three seasons have been released on DVD.
Why is Barney Miller so awesome? Well, first of all, it was a true ensemble series, headed by Hal Linden as the kind, put-upon Barney Miller, Abe Vigoda as the ever old and cantankerous Fish, Ron Glass as the vain Ron Harris, Max Gail as the naive "Wojo", Jack Soo as the wry Yemana, and Landesberg as the know-it-all Dietrich.
The humor relied not on pratfalls or one-liners (though they had those in plenty) but in the quirky characters, their interactions with each other and with the crooks and victims in their district. How hard Miller worked to keep sanity in the squad room! Just thinking of some of the plots makes me laugh. Remember the hash brownies? The wolf man? Lugar's mail-order bride?
Dietrich was my favorite. He was smart, dry, and witty. Some great lines:
Miller: You speak German?
Dietrich: Don't you?
Guest: Do you have a Ph.D in psychology?
Dietrich: Yes.
Guest: Got it on ya?
Dietrich (calmly, upon seeing what a suspect had brought to the squad): Where'd we get the atomic bomb?
I only have these because of Wikipedia. Wish I had more.
Reports had erroneously indicated that Landesberg was 65 when he died. Apparently, the man gave out various dates of birth, wanting to be younger to hide his late start as an actor.
Steve Landesberg played Arthur Dietrich in one of the best comedies to ever air on TV, Barney Miller. If you've never seen it, you owe it to yourself to watch it. It airs on the U channels in Chicago, but sadly, only the first three seasons have been released on DVD.
Why is Barney Miller so awesome? Well, first of all, it was a true ensemble series, headed by Hal Linden as the kind, put-upon Barney Miller, Abe Vigoda as the ever old and cantankerous Fish, Ron Glass as the vain Ron Harris, Max Gail as the naive "Wojo", Jack Soo as the wry Yemana, and Landesberg as the know-it-all Dietrich.
The humor relied not on pratfalls or one-liners (though they had those in plenty) but in the quirky characters, their interactions with each other and with the crooks and victims in their district. How hard Miller worked to keep sanity in the squad room! Just thinking of some of the plots makes me laugh. Remember the hash brownies? The wolf man? Lugar's mail-order bride?
Dietrich was my favorite. He was smart, dry, and witty. Some great lines:
Miller: You speak German?
Dietrich: Don't you?
Guest: Do you have a Ph.D in psychology?
Dietrich: Yes.
Guest: Got it on ya?
Dietrich (calmly, upon seeing what a suspect had brought to the squad): Where'd we get the atomic bomb?
I only have these because of Wikipedia. Wish I had more.
Reports had erroneously indicated that Landesberg was 65 when he died. Apparently, the man gave out various dates of birth, wanting to be younger to hide his late start as an actor.
Monday, December 6, 2010
Report Card for Fall, 2010 Shows
To be exact, this is a report card on shows I watch. I am afraid to report that I watch only bits and pieces of new shows. This was just not a good year for new shows.
I may not be blogging much (blame my two little niblets for that!), but I'm still watching television. I may not watch the show in the same week it airs, but I'm still watching. This post will discuss how I think the shows are faring this new season.
Chuck
One of the marvels of Chuck is that it has taken science fiction conventions and turned them on their head. In this case, Chuck's family all knows about his superhero powers (I guess that's what you'd call the Intersect) and he landed the hot babe. Chuck's sister is extremely smart, so the writers would have to stretch credulity far more than they already do to have Chuck keep that secret hidden. However, Ellie has made Chuck promise to leave the spy game, a promise Chuck has broken. How long can he hide that from her? Who knows?
Many have decried Chuck's relationship with Sarah Walker as a Moonlighting moment, claiming that the affair has caused the show to jump the shark. I disagree. From what I've read (amazingly enough, I never watched Moonlighting), Moonlighting lost it's spark long before the leads shared a bed. Plus, keeping Chuck and Sarah apart in the past two seasons alone has stretched the writers' abilities, so it was time for them to either come together or get rid of one. And what would Chuck be without Sarah? Or Chuck, for that matter? No, I think the relationship is fine, though some of their arguments are as manufactured as the plot points that kept them apart.
The major reveal of the season is Morgan Grimes, Chuck's Buy-Moron best friend. Last year Morgan learned Chuck's secret and joined the CIA. This season, he was made manager of the CIA-front Buy More, earned John Casey as a mentor, and started dating Casey's daughter. He's a bumbling fool who more often than not is right. In other words, in a way, he's taken on the role Chuck used to have. He's the outsider whose perspective and unusual ways have earned him the respect of John Casey (brilliantly portrayed by Adam Baldwin). He's also earned my respect, and has become the heart of the show.
The first half of this season has focused on Chuck finding his mother (who - surprise, surprise - is also a spy). This plot line has been underwhelming, though Timothy Dalton as the psychotic Volkoff has been a joy.
The Volkoff plot has been a bust, but Morgan makes the grade higher: B.
House
Last season ended with House starting a relationship with Cuddy after almost relapsing into narcotics abuse. Huddy fans rejoiced.
I was never a Huddy fan, but I preferred House with Cuddy than Jennifer Morrison's self-righteous Cameron. Cuddy, at least, was House's emotional and intellectual equal. Plus, unlike Cameron, you knew Cuddy would know exactly what she was getting herself into. And that's what's been so cool about the season. House and Cuddy both know their weaknesses, and have been trying to address them as adults. House has not been made softer (watch him describe his relationship with Cuddy as an episode from Wild Kingdom), and he has resorted to form by lying and manipulating her to get his way, both at work and in their relationship. Many television romances are predictable, and thus boring, but this one so far has not been. I have no idea if they will make it or not. And I like that I don't know.
The only other thing worthy of note is that Peter Jacobson and Olivia Wilde have finally been added to the credits, and Jennifer Morrison's name has been removed. Cameron, I hardly missed you.
That said, this show is clearly aging, and the writers don't seem to acknowledge it. The cases are becoming less interesting, and House's arguments about human nature have been aired many times before. The acting remains top-notch. Grade: B-.
Human Target
This show is the perfect comic book television show. It has succeeded in a way that Heroes can only imagine. Christopher Chance is a former assassin who is now attempting to atone for the harm he has caused. He knows many languages and forms of fighting. He can protect people better than anyone else, but often puts his own life in danger, simply because he doesn't really care if he lives or dies. If he lives, he wants to continue to help others. He is joined by Winston (the incredible Chi McBride) and Guerrero (Jackie Earle Haley, how steals just about every scene he's in, except with McBride).
I learned just recently that I missed last season's finale, I presume because of all the changes in cable boxes we experienced this last year. From what I can tell, enemies of Chance took Winston captive to force Chance to help them. Winston was nearly blown up, and Chance was so traumatized that someone he loved almost died because of him. So he joins an ashram in Nepal. Or Tibet. Whichever. He is found by a Melinda Gates-like woman, who's life is in danger after her husband was murdered. After Chance saves her, she essentially "buys" his business. So Indira Varma (of Rome fame) joins the cast.
I've only seen two of three episodes so far this season, and so far, I've found the series to be the same in tone and atmosphere as last season. Mark Valley as Christopher Chance brings a warm, self-deprecatory humor to the role, and the addition of Varma (and a female thief who idolizes Guerrero) has not interfered with that yet. We'll see. In the meantime, I'm giving the show a provisional: A.
Community
Community is the only comedy I have on DVR. I like its zany humor, and I love that John Oliver from The Daily Show with Jon Stewart has a recurring role. Last season, the show struck comedy gold when it parodied every bad action flick, with the students of Greendale Community College join a paintball war with the winner earning the right to priority registering. This season they've parodied zombie films and Apollo Thirteen films. Like last season, the episodes are a bit inconsistent - Betty White's guest turn was underwhelming - but it's always a fun half-hour. I'm giving a B+.
Bones
Last season, the group broke up. Bones went to some remote island to study the beginnings of humankind, Booth went to Afghanistan to train would-be snipers, Hodgins and Angela went to Paris, and Sweets grew a beard (or something like that). Caroline Julian, one of Bones' recurring characters who's more interesting than some of the main characters, brings them back to save Camille Saroyan's career. After doing so, the gang's all back together, like nothing's changed.
Or so it would seem. Angela's pregnant (and the storyline where everyone figures it out but keeps it from Hodgins because he wanted to surprise them was deadly dull) and Booth has a serious girlfriend. The girlfriend is the real source of dramatic tension this season, as Bones has to deal with the fact that she rejected Booth, who has moved on. The girlfriend is an accomplished journalist, and quite likable, and Bones has made an effort to be a friend. But it's obvious she recognizes what she passed up, and that Booth still cares for her. It appears that soon Bones' inner turmoil will be expressed. I'll be curious to see how that works out.
Bones remains, as ever, inconsistent, so I'll give it a B-.
Fringe
Fringe is one of those shows that just gets better each year. Last season ended with Walter successfully finding Peter in the other dimension and bringing him home. However, unbeknownst to both of them, they brought along the other dimension's Olivia, called "Fauxlivia". "Our" Olivia remained in the other dimension, where she was experimented upon to discover what it was that allowed her to cross dimensions. While maintaining the "monsters of the week" story line, the show managed to show Fauxlivia's attempts to accomplish whatever she was sent over to do and Olivia's eventually successful attempts to return home.
Anna Torv has shown herself to be a far better actress than she was ever given credit for. Many complained that she was too flat in her portrayal of Olivia, but I thought her lack of affect made sense, given the fact her lover was initially thought to be a traitor. This season, she played two Olivias, and managed to show the tiny, subtle differences that exist between the two. John Noble has always been recognized as a great actor, and his portrayal of two Walters has not disproved that. We see in the alternate Walter - called "Walternate" - what our Walter could have been, and it is not a pretty picture. Joshua Jackson as Peter Bishop remains as watchable as ever.
The Olivias have returned to their rightful universes, and only time will tell what damage Fauxlivia managed to wreck here. The immediate fall out, of course, will occur between Olivia and Peter. Somehow, Peter will have to reconcile his affair with Fauxlivia, and his own inability to recognize her as an impostor. This is one show I look forward to seeing week after week. Grade: A+.
Project Runway
I've already blogged about my impressions of the great season of Project Runway we just had. I never posted my thoughts about the fact that Gretchen won over Mondo, but I refuse to let that disappointment sway me from my opinion. Grade: A.
The Good Wife
I remain captivated by this show, in large part driven by Juliana Margulies's portrayal of a betrayed wife. This season, Alicia's husband campaigns to win his job back, while the law firm she works for has merged with another. The firm's merger may have saved it from bankruptcy, but has created a whole new set of problems, including the addition of a potentially felonious investigator and Diane's decision to leave the firm. Meanwhile, Alicia has just learned that Will apparently left her a message detailing how he feels about her, a message she never got because Eli Gold deleted it. Will's moved on, assuming Alicia moved on. This sounds like a soap opera, doesn't it? But it's still good, and my description doesn't do it justice. The writing is excellent, the acting is impeccable, and the plots are interesting without being predictable. I'm definitely giving this an A.
I never did watch Undercovers. I eventually deleted the episodes. Apparently, I wasn't the only one not watching - the show was canceled.
I've watched a few episodes of Raising Hope. It is amusing, but Cloris Leachman's character is a little too broad and silly for enjoyment. It's fun to watch when I come across it.
I've started watching The Office, and I must say, it turns out I'm a fan. Who knew? I've not seen enough this season to have an opinion as to its grade. Maybe at the end of this season.
You might be justified in accusing me of grade inflation, and you may be right. But why waste my valuable time watching a show that doesn't even warrant a B-?
I may not be blogging much (blame my two little niblets for that!), but I'm still watching television. I may not watch the show in the same week it airs, but I'm still watching. This post will discuss how I think the shows are faring this new season.
Chuck
One of the marvels of Chuck is that it has taken science fiction conventions and turned them on their head. In this case, Chuck's family all knows about his superhero powers (I guess that's what you'd call the Intersect) and he landed the hot babe. Chuck's sister is extremely smart, so the writers would have to stretch credulity far more than they already do to have Chuck keep that secret hidden. However, Ellie has made Chuck promise to leave the spy game, a promise Chuck has broken. How long can he hide that from her? Who knows?
Many have decried Chuck's relationship with Sarah Walker as a Moonlighting moment, claiming that the affair has caused the show to jump the shark. I disagree. From what I've read (amazingly enough, I never watched Moonlighting), Moonlighting lost it's spark long before the leads shared a bed. Plus, keeping Chuck and Sarah apart in the past two seasons alone has stretched the writers' abilities, so it was time for them to either come together or get rid of one. And what would Chuck be without Sarah? Or Chuck, for that matter? No, I think the relationship is fine, though some of their arguments are as manufactured as the plot points that kept them apart.
The major reveal of the season is Morgan Grimes, Chuck's Buy-Moron best friend. Last year Morgan learned Chuck's secret and joined the CIA. This season, he was made manager of the CIA-front Buy More, earned John Casey as a mentor, and started dating Casey's daughter. He's a bumbling fool who more often than not is right. In other words, in a way, he's taken on the role Chuck used to have. He's the outsider whose perspective and unusual ways have earned him the respect of John Casey (brilliantly portrayed by Adam Baldwin). He's also earned my respect, and has become the heart of the show.
The first half of this season has focused on Chuck finding his mother (who - surprise, surprise - is also a spy). This plot line has been underwhelming, though Timothy Dalton as the psychotic Volkoff has been a joy.
The Volkoff plot has been a bust, but Morgan makes the grade higher: B.
House
Last season ended with House starting a relationship with Cuddy after almost relapsing into narcotics abuse. Huddy fans rejoiced.
I was never a Huddy fan, but I preferred House with Cuddy than Jennifer Morrison's self-righteous Cameron. Cuddy, at least, was House's emotional and intellectual equal. Plus, unlike Cameron, you knew Cuddy would know exactly what she was getting herself into. And that's what's been so cool about the season. House and Cuddy both know their weaknesses, and have been trying to address them as adults. House has not been made softer (watch him describe his relationship with Cuddy as an episode from Wild Kingdom), and he has resorted to form by lying and manipulating her to get his way, both at work and in their relationship. Many television romances are predictable, and thus boring, but this one so far has not been. I have no idea if they will make it or not. And I like that I don't know.
The only other thing worthy of note is that Peter Jacobson and Olivia Wilde have finally been added to the credits, and Jennifer Morrison's name has been removed. Cameron, I hardly missed you.
That said, this show is clearly aging, and the writers don't seem to acknowledge it. The cases are becoming less interesting, and House's arguments about human nature have been aired many times before. The acting remains top-notch. Grade: B-.
Human Target
This show is the perfect comic book television show. It has succeeded in a way that Heroes can only imagine. Christopher Chance is a former assassin who is now attempting to atone for the harm he has caused. He knows many languages and forms of fighting. He can protect people better than anyone else, but often puts his own life in danger, simply because he doesn't really care if he lives or dies. If he lives, he wants to continue to help others. He is joined by Winston (the incredible Chi McBride) and Guerrero (Jackie Earle Haley, how steals just about every scene he's in, except with McBride).
I learned just recently that I missed last season's finale, I presume because of all the changes in cable boxes we experienced this last year. From what I can tell, enemies of Chance took Winston captive to force Chance to help them. Winston was nearly blown up, and Chance was so traumatized that someone he loved almost died because of him. So he joins an ashram in Nepal. Or Tibet. Whichever. He is found by a Melinda Gates-like woman, who's life is in danger after her husband was murdered. After Chance saves her, she essentially "buys" his business. So Indira Varma (of Rome fame) joins the cast.
I've only seen two of three episodes so far this season, and so far, I've found the series to be the same in tone and atmosphere as last season. Mark Valley as Christopher Chance brings a warm, self-deprecatory humor to the role, and the addition of Varma (and a female thief who idolizes Guerrero) has not interfered with that yet. We'll see. In the meantime, I'm giving the show a provisional: A.
Community
Community is the only comedy I have on DVR. I like its zany humor, and I love that John Oliver from The Daily Show with Jon Stewart has a recurring role. Last season, the show struck comedy gold when it parodied every bad action flick, with the students of Greendale Community College join a paintball war with the winner earning the right to priority registering. This season they've parodied zombie films and Apollo Thirteen films. Like last season, the episodes are a bit inconsistent - Betty White's guest turn was underwhelming - but it's always a fun half-hour. I'm giving a B+.
Bones
Last season, the group broke up. Bones went to some remote island to study the beginnings of humankind, Booth went to Afghanistan to train would-be snipers, Hodgins and Angela went to Paris, and Sweets grew a beard (or something like that). Caroline Julian, one of Bones' recurring characters who's more interesting than some of the main characters, brings them back to save Camille Saroyan's career. After doing so, the gang's all back together, like nothing's changed.
Or so it would seem. Angela's pregnant (and the storyline where everyone figures it out but keeps it from Hodgins because he wanted to surprise them was deadly dull) and Booth has a serious girlfriend. The girlfriend is the real source of dramatic tension this season, as Bones has to deal with the fact that she rejected Booth, who has moved on. The girlfriend is an accomplished journalist, and quite likable, and Bones has made an effort to be a friend. But it's obvious she recognizes what she passed up, and that Booth still cares for her. It appears that soon Bones' inner turmoil will be expressed. I'll be curious to see how that works out.
Bones remains, as ever, inconsistent, so I'll give it a B-.
Fringe
Fringe is one of those shows that just gets better each year. Last season ended with Walter successfully finding Peter in the other dimension and bringing him home. However, unbeknownst to both of them, they brought along the other dimension's Olivia, called "Fauxlivia". "Our" Olivia remained in the other dimension, where she was experimented upon to discover what it was that allowed her to cross dimensions. While maintaining the "monsters of the week" story line, the show managed to show Fauxlivia's attempts to accomplish whatever she was sent over to do and Olivia's eventually successful attempts to return home.
Anna Torv has shown herself to be a far better actress than she was ever given credit for. Many complained that she was too flat in her portrayal of Olivia, but I thought her lack of affect made sense, given the fact her lover was initially thought to be a traitor. This season, she played two Olivias, and managed to show the tiny, subtle differences that exist between the two. John Noble has always been recognized as a great actor, and his portrayal of two Walters has not disproved that. We see in the alternate Walter - called "Walternate" - what our Walter could have been, and it is not a pretty picture. Joshua Jackson as Peter Bishop remains as watchable as ever.
The Olivias have returned to their rightful universes, and only time will tell what damage Fauxlivia managed to wreck here. The immediate fall out, of course, will occur between Olivia and Peter. Somehow, Peter will have to reconcile his affair with Fauxlivia, and his own inability to recognize her as an impostor. This is one show I look forward to seeing week after week. Grade: A+.
Project Runway
I've already blogged about my impressions of the great season of Project Runway we just had. I never posted my thoughts about the fact that Gretchen won over Mondo, but I refuse to let that disappointment sway me from my opinion. Grade: A.
The Good Wife
I remain captivated by this show, in large part driven by Juliana Margulies's portrayal of a betrayed wife. This season, Alicia's husband campaigns to win his job back, while the law firm she works for has merged with another. The firm's merger may have saved it from bankruptcy, but has created a whole new set of problems, including the addition of a potentially felonious investigator and Diane's decision to leave the firm. Meanwhile, Alicia has just learned that Will apparently left her a message detailing how he feels about her, a message she never got because Eli Gold deleted it. Will's moved on, assuming Alicia moved on. This sounds like a soap opera, doesn't it? But it's still good, and my description doesn't do it justice. The writing is excellent, the acting is impeccable, and the plots are interesting without being predictable. I'm definitely giving this an A.
I never did watch Undercovers. I eventually deleted the episodes. Apparently, I wasn't the only one not watching - the show was canceled.
I've watched a few episodes of Raising Hope. It is amusing, but Cloris Leachman's character is a little too broad and silly for enjoyment. It's fun to watch when I come across it.
I've started watching The Office, and I must say, it turns out I'm a fan. Who knew? I've not seen enough this season to have an opinion as to its grade. Maybe at the end of this season.
You might be justified in accusing me of grade inflation, and you may be right. But why waste my valuable time watching a show that doesn't even warrant a B-?
Saturday, October 23, 2010
Project Runway Returns to Form
I can't keep up with how long Project Runway has been on Lifetime, but I recall enough to know that this is the best season since it changed cable networks. As with any competition show such as Project Runway, the success of the show depends almost entirely on their contestants. Yes, they have to have good hosts, etc., and challenging projects for the contestants, but if the contestants are dull, so is the show.
This season, we've had a number of very talented designers, such that the last two eliminations were almost as difficult for me as for the eliminated contestant. As I watched the most recent episode (the first half of the finale), I just about had to reach for a Kleenex. But we've also had characters with...well, character. Some have been good, and some have not. We even had a hometown contestant in Peach Carr, who has a shop in the northern suburbs of Chicago. She was the oldest contestant, and was a favorite. I didn't think she'd win, and I'm spoiling nothing here when I comment that she didn't, but she fit in well with the group and was genuinely a nice person. (I know, you can argue that I have no idea if she's really a nice person of if she's the beneficiary of good editing. Leave me alone!).
Mondo Guerra is another contestant, and my favorite at this time to win. He dresses uniquely, and is extremely talented, especially at mixing patterns and using colors. I didn't think he'd make it at first, given that he felt disconnected from the other contestants. But he was the first to notice that Michael C (discussed below) was actually not a bad designer.
Let's not forget Casanova, from Puerto Rico, who made one of the most god-awful outfits in the first episode that I wouldn't have been surprised had he been auf'd. (He was, much later). His English was iffy at best, but he was quite amusing and appeared to be loved by all. He certainly smiled a lot.
Much of the drama centered around Michael Costello (called Michael C to differentiate from Michael Drummond). No one thought Michael C had any talent or skill. Yet he won challenge after challenge. At one point, the contestants had to rely on another to execute their design, and Mondo found himself partnered with Michael C. Mondo wasn't happy at first, but he later acknowledged that he had been a bitch for no reason. Michael C made it to the final four.
Ivy was a contestant I couldn't stand. An excellent seamstress, she didn't seem to have any real talent for designing, but she did for stirring up trouble. She told the other contestants that Michael C was calling her names, and when brought back for a challenge after being eliminated, accused Michael C of cheating earlier. I was never so proud of Tim Gunn as when he basically said that no producer or camera saw anything, and since it occurred a while ago, the incident was closed. I'd like to add that no camera caught Michael C calling her names either.
Next week the show is having its first reunion in a number of seasons. With this cast of characters, the reunion should be exciting.
Monday, October 18, 2010
Season Finale of Mad Men
For the first time in a long time, B and I are actually caught up with Mad Men. Last night we watched the episode only 30 minutes behind the actual airing. It was an enjoyable and thought-provoking episode.
The entire season was focused on the question "Who is Don Draper?" Haughty and hostile when asked that in the first episode in the season, he ended the season telling Sally and Bobby that he was once called "Dick", even as he minimized the importance of the name. It was a tough season for Don: the woman who knew him better than any other died, his company nearly went under, and his drinking led to a "lost weekend" for him.
Don's divorce left him adrift. He sought solace pretty much in the arms of anyone in a skirt and as already noted, took his drinking to all new levels. His love interest for the season, Dr. Faye Miller, refused him at first, but eventually became his lover, an equal. He even cost her her job when he announced to the world at large that he gave up cigarettes (actually, they gave him up). So, who wasn't surprised when he proposed to Megan?
Megan was his beautiful secretary who agreed to travel to California with him to watch his children. She was gentle and caring with the kids, and gentle and caring with him. When the juice spilled, ruining the perfection of the family, she thought nothing of it, mopping it up and refusing to let it ruin her day.
Why Megan? B read a post on Salon that Don's proposal was another attempt by Don to buy into the perfect, shiny happy family. The first attempt with Betty was an utter failure, of course, and his children are far from perfect, especially Sally, but clearly Don isn't quitting. But I don't know that I agree. Don was devastated by the death of Anna Draper, the real Don Draper's widow. And Megan's gentle demeanor could be very appealing to Don after the brittle Betty. That said, Megan is certainly not Don's intellectual equal as Faye Miller could have been.
Perhaps we'll learn next season what the meaning of Don's choice is. Some other thoughts:
I thoroughly enjoyed Peggy griping about Don's engagement with Joan. Peggy continues to grow into her own at the office, certainly putting various male co-workers in their place when needed. I'm not quite clear on her relationship with Don, and why each is so important to the other. But he's certainly pushed her all along to stand on her own two feet. Unless, of course, he wins an advertising award, when he takes all the credit! Her personal life brought her new friends and a new lover (who isn't glad that her icky relationship with Duck is over?). And leave it to Peggy to bring the first new business into the firm after the pull out of Lucky Strike.
Pete became a father (again), and nearly destroyed his relationship with his father-in-law. Having just recently given birth myself, I was amused that Pete was essentially run out of the hospital by his in-laws. B would have been killed had he tried. Pete also has an unusual relationship with Don, which cost him a new client when NASA started a background check on Don. Don, however, made it up to Pete by paying his part of the firm assessment to pay for salaries.
Never a fan of Betty's, it was a hard season for those who are. Betty could easily win worst mother in TV Land for her interactions with Sally. Sally cuts her own hair; Betty slaps her. Sally hangs around with Glen; Betty finally decides to move out of Don's house. She even fired Carla, her housekeeper and just about the only stable presence in the Draper children's lives, for allowing Glen to say good bye to Sally. Even her new husband was exasperated by her smallness.
Joan reignited her affair with Roger Sterling this season, resulting in a pregnancy. Roger made all the arrangements for an abortion, and it seemed that she followed through on it. But the biggest surprise of the finale was her revelation that she hadn't yet. Her husband believes the child is his, and appears to be thrilled. Her affair with Roger is over, and his handling of the Lucky Strike withdrawal may have cost him her respect.
Ken Cosgrove is back, buying himself into the new firm with his client list. I'm not sure how long the relationship will last, though, after he refused to use his future in-laws to land a client. I loved it. Go Ken!
Roger had a terrible time this season. He was humiliated by his Lucky Strike client, Lee Gardner, Jr., who then left the firm unceremoniously (I'm sure I'm not the only viewer who thought that everyone is better off without Gardner in their lives). His firm tried to woo some Japanese clients, despite Roger's obvious antipathy toward the former enemy. I think that Cooper said it best. The tragedy of Roger is that he never took himself seriously, so no one else did, either.
Sally Draper was the break out character of the season, and my heart broke for her. Sally was a sweet girl, but she was also rebellious. As such, she was not the perfect daughter that Betty expected. The entire season pitted the two against each other, with Sally losing every time. But Sally's time with a therapist seemed to make a difference, if only to teach Sally to keep her unhappiness to herself.
There's so much that happened this season that I just can't address. Don's lost weekend. Sally's running away to live with her father. Mrs. Blankenship's untimely demise. Bertrand Cooper leaving the firm carrying his shoes. Ted Chaogh's antagonizing of Don. As always, so many layers to contemplate, and only so much time.
Buffyverse fan alert: Danny Strong joined the cast as Danny Siegel. Danny joined the firm as a cousin of Roger's new wife, and left after Lucky Strike pulled out. He grew on Peggy.
The entire season was focused on the question "Who is Don Draper?" Haughty and hostile when asked that in the first episode in the season, he ended the season telling Sally and Bobby that he was once called "Dick", even as he minimized the importance of the name. It was a tough season for Don: the woman who knew him better than any other died, his company nearly went under, and his drinking led to a "lost weekend" for him.
Don's divorce left him adrift. He sought solace pretty much in the arms of anyone in a skirt and as already noted, took his drinking to all new levels. His love interest for the season, Dr. Faye Miller, refused him at first, but eventually became his lover, an equal. He even cost her her job when he announced to the world at large that he gave up cigarettes (actually, they gave him up). So, who wasn't surprised when he proposed to Megan?
Megan was his beautiful secretary who agreed to travel to California with him to watch his children. She was gentle and caring with the kids, and gentle and caring with him. When the juice spilled, ruining the perfection of the family, she thought nothing of it, mopping it up and refusing to let it ruin her day.
Why Megan? B read a post on Salon that Don's proposal was another attempt by Don to buy into the perfect, shiny happy family. The first attempt with Betty was an utter failure, of course, and his children are far from perfect, especially Sally, but clearly Don isn't quitting. But I don't know that I agree. Don was devastated by the death of Anna Draper, the real Don Draper's widow. And Megan's gentle demeanor could be very appealing to Don after the brittle Betty. That said, Megan is certainly not Don's intellectual equal as Faye Miller could have been.
Perhaps we'll learn next season what the meaning of Don's choice is. Some other thoughts:
I thoroughly enjoyed Peggy griping about Don's engagement with Joan. Peggy continues to grow into her own at the office, certainly putting various male co-workers in their place when needed. I'm not quite clear on her relationship with Don, and why each is so important to the other. But he's certainly pushed her all along to stand on her own two feet. Unless, of course, he wins an advertising award, when he takes all the credit! Her personal life brought her new friends and a new lover (who isn't glad that her icky relationship with Duck is over?). And leave it to Peggy to bring the first new business into the firm after the pull out of Lucky Strike.
Pete became a father (again), and nearly destroyed his relationship with his father-in-law. Having just recently given birth myself, I was amused that Pete was essentially run out of the hospital by his in-laws. B would have been killed had he tried. Pete also has an unusual relationship with Don, which cost him a new client when NASA started a background check on Don. Don, however, made it up to Pete by paying his part of the firm assessment to pay for salaries.
Never a fan of Betty's, it was a hard season for those who are. Betty could easily win worst mother in TV Land for her interactions with Sally. Sally cuts her own hair; Betty slaps her. Sally hangs around with Glen; Betty finally decides to move out of Don's house. She even fired Carla, her housekeeper and just about the only stable presence in the Draper children's lives, for allowing Glen to say good bye to Sally. Even her new husband was exasperated by her smallness.
Joan reignited her affair with Roger Sterling this season, resulting in a pregnancy. Roger made all the arrangements for an abortion, and it seemed that she followed through on it. But the biggest surprise of the finale was her revelation that she hadn't yet. Her husband believes the child is his, and appears to be thrilled. Her affair with Roger is over, and his handling of the Lucky Strike withdrawal may have cost him her respect.
Ken Cosgrove is back, buying himself into the new firm with his client list. I'm not sure how long the relationship will last, though, after he refused to use his future in-laws to land a client. I loved it. Go Ken!
Roger had a terrible time this season. He was humiliated by his Lucky Strike client, Lee Gardner, Jr., who then left the firm unceremoniously (I'm sure I'm not the only viewer who thought that everyone is better off without Gardner in their lives). His firm tried to woo some Japanese clients, despite Roger's obvious antipathy toward the former enemy. I think that Cooper said it best. The tragedy of Roger is that he never took himself seriously, so no one else did, either.
Sally Draper was the break out character of the season, and my heart broke for her. Sally was a sweet girl, but she was also rebellious. As such, she was not the perfect daughter that Betty expected. The entire season pitted the two against each other, with Sally losing every time. But Sally's time with a therapist seemed to make a difference, if only to teach Sally to keep her unhappiness to herself.
There's so much that happened this season that I just can't address. Don's lost weekend. Sally's running away to live with her father. Mrs. Blankenship's untimely demise. Bertrand Cooper leaving the firm carrying his shoes. Ted Chaogh's antagonizing of Don. As always, so many layers to contemplate, and only so much time.
Buffyverse fan alert: Danny Strong joined the cast as Danny Siegel. Danny joined the firm as a cousin of Roger's new wife, and left after Lucky Strike pulled out. He grew on Peggy.
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